Behold, The Iron Fist...Yeah, the white guy.
One thing that I have loved about every one of Marvel’s slate of Netflix shows is their opening scenes. Daredevil opens with the accident that would define Matt Murdock’s life and then transitions into the dark of the confessional booth. Jessica Jones pulls us in by letting us see the world through her camera lens. It sets up the way she deals with most of her city now; at a distance. Because if you get too close, things get rough. Just ask the guy she throws through her own door in the next scene. Luke Cage starts us off with, arguably, the deepest sense of place and culture. Pop’s Barbershop is full, hopping, and discussions about basketball and the dominance of King James are a bedrock of the day to day. The one thing that all of these opening scenes have in common, is that they communicate place, space, and character in such easy and effective ways. When I fired up the Roku to start Iron Fist , I was waiting for that moment, and I got it. Outkast’s “So Fresh, So Clean” sta